$5, 45],= 


. 


a oon 
JINGS—MEZZOTINTS—ENGRAVINGS 


May l 
NeAmR 
BY MODERN MASTERS 


INCLUDING A FURTHER IMPORTANT SELECTION 
FROM THE PORTFOLIO OF 


MR. JOHN REID OF NEW YORK CITY 


ON FREE PUBLIC EXHIBITION 


AT THE AMERICAN ART GALLERIES 
COMMENCING SATURDAY, APRIL 28TH, 1923 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
ON TUESDAY EVENING, MAY IST, 1923, AT 8:15 O CLOCK 


? UNDER THE MANAGEMENT OF 
THE AMERICAN ART ASSOCIATION 
ff THE MADISON AVENUE BLOCK 
50TH TO 57TH STREETS 


/ ENTRANCE, 30 EAST 57TH STREET, NEW YORK CITY 


Catal 


oe oe 


— 


ans aie 


We hereby guarantee that the goods carried by invoice were produced or manufactured in accordance with the 


Federal Child’s Labor Act of September 1, 1916—CONDE NAST PRESS, Inc. 


‘Sas 


CATALOGUE OF 


ETCHINGS—MEZZOTINTS—ENGRAVINGS 
BY MODERN MASTERS 


ZORN, FITTON, WHISTLER, BENSON, HADEN, McBEY 
LEE-HANKEY, ARLENT EDWARDS, ELIZABETH GULLAND 
AND OTHERS 


FROM THE PORTFOLIOS OF 


MR. JOHN REID OF NEW YORK CITY 


AND OTHER CONNOISSEURS 


TO BE SOLD WITHOUT RESERVE OR RESTRICTION 
BY ORDER OF THOSE HEREINAFTER DESIGNATED 
ON THE EVENING OF TUESDAY, MAY IST, 1923 


AT 8:15 0 CLOCK 


~¢ ~£ 


THE SALE TO BE CONDUCTED BY LAY tl 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF 
THE AMERICAN ART ASSOCIATION, MAnaGeErs 


NEW YORK CITY 


(Ae ‘es! 
v= ey. 
i 73 La A 

<4. Na 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


i 
rae 


STATEMENT OF OWNERSHIP 


A Notable Collection of Etchings from the Portfolio of MR. JOHN REID of 
New York City, sold by his order, is herein catalogued under items, Numbers,—1, 
eee io, tt, 14, 13, 14,:15, 16, 17; 18, 19, 20; 21, 22, 32}; 35; 
reese 40, 41, 42, 43, 44, 45, 46, 47, 48, 57, 58, 59, Go, 6I, 62, I09, 
ne tis. 114, 116, 118, 120, 122, 123, 126, 127, 128, 130, 131, 
132, 133, 134, 135, 136, 138, 139, 140, 141, 142, 143, 144, 145, 146, 148, 
149 and 177. 


An Important Collection of Etchings and Lithographs by Whistler and others, 
the Property of a GENTLEMAN, sold by his order, is herein catalogued under 
items, Numbers,—24, 26, 27, 31, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 
89, 90, 91, 92, 93, 95, 96, 99, 100, 103, 104, 105, 106, I07, 137, 150, I5I, 
152, 153, 154, 155, 156, 157, 158, 159, 162, 164, 165, 166, 167, 169, 170, 
17%; 472, 173, 192, 193, 196, 197, 198, 199 and 200. 

A Collection of Etchings, sold by order of MR. RICHARD ELY, Attorney of 
New York City, is herein catalogued under items, Numbers,—9, 10, 28, 30, 34, 
te a7, 77, 73, 94, 97,98, 101, 102, 115, 117, 119, 121, 124, 
osteo 147, 100, 161, 168, 194, 195, 201 and 202. 


A Collection of Wood-Engravings by the late Henry Wolf, the property of 
CHARLES F. STREET of New York City, sold by his order, is herein catalogued 
under items, Numbers,—174, 175, 176, 178, 179, 180, I81, 182, 183, 184, 
185, 186, 187, 188, 189, 190 and IoI. 


Notable Etchings from the Portfolio of a prominent COLLECTOR OF NEW 
YORK, sold by his order, are herein catalogued under items, Numbers,—63 to 74 


inclusive; also, Mezzotints from the same Consignor, catalogued under items, Num- 
| bers,—8A, 8B, 36A, 51A, 51B, 51C, 62A, 62B, 62C, 108A and 150A. 


A Consignment of Important Etchings from the Portfolio of an ENGLISH 
GENTLEMAN, sold by his order, is herein cata Jogued under items, Numbers,— 
23, 25, 29, 52, 53, 55 and 56. UA, (Wnac dovalel: 

A Collection of Fine Engravings and Mezzotints, the property of a NEW YORK 
LADY, sold by her Oe is ase catalogued under items, Numbers,—33, 50, 
51 and 108. ( Wrer 


A Fine Whistler Lithograph, tie Avge ites of a NEW YORK GENTLEMAN, 
sold by his order, is herein catalogued under item, Number 163. jj, Pune /2 Weel . 


| LO Ae f of wt yy ttine 


Conditions of Sale 


1. Rejection of Bids. Any bid which is not commensurate with the value of the article 
offered or which is merely a nominal or fractional advance may be rejected by the auctioneer 
if in his judgment such bid would be likely to affect the sale injuriously. 


2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or 
more bidders, the auctioneer shall either decide the same or put up for resale the lot soin dispute. 


3. Identification and Part Payment by Buyer. The name of the buyer of each lot 
shall be given immediately on the sale thereof and, when so required, each buyer shall sign a, 
card giving the lot number, amount for which sold, and his or her name and address. 
Payment at the actual time of the sale shall be made of all or such part of the purchase 
prices as may be required. 
If the two foregoing conditions are not complied with, the lot or lots so purchased may at 
the option of the auctioneer be put up again and resold. 


4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer and 
thereafter neither the consignor nor the Association is responsible for the loss or any damage 
to any article occasioned by theft, fire, breakage or any cause. 


5. Delivery of Purchases. Delivery of any purchases will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made at the place of sale or at the storage warehouse to which purchases 
may have been removed. 

Deliveries at the American Art Galleries will be made only between the hours of nine a. m. 
and one p. m. on sales’ days and on other days—except holidays, when no deliveries will be 
made—between the hours of nine a. m. and five p. m. 

Deliveries at places of sale other than the American Art Galleries will be made only during 
the forenoon following the day of sale unless by special notice or arrangement to the contrary. 

Deliveries at the Storage warehouse to which goods may have been sent will be made on any 
day other than holidays between the hours of nine and five. P 

Deliveries of any purchases of small articles likely to be lost or mislaid may be made at the 
discretion of the auctioneer during the session of the sale at which they were sold. 


6. Storage in Default of Prompt Payment and Calling for Goods. Articles not 
paid for in full and either not called for by the purchaser or delivered upon his or her order by 
noon of the day following that of the sale will be turned over by the Association to some carter 
to be carried to and stored in some warehouse until the time of the delivery therefrom to the 
purchaser, and the cost of such cartage and storage will be charged against the purchaser and 
the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. 
Note: The limited space of the Delivery Rooms of the Association makes the above require- 
ments necessary, and it is not alone for the benefit of the Association, but also for that of its pa- 
trons, whose goods otherwise would have to be so crowded as to be subject to damage and loss. 


7. Shipping. Boxing or wrapping of purchases is a business in which the Association is in 
no wise engaged, and will not be performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing at current and reasonable 
rates carriers and packers; doing so, however, without any assumption of responsibility on its 
part for the acts and charges of the parties engaged for such service. 


8. Guaranty. The Association exercises great care to catalogue every lot correctly and 
endeavours therein and also at the actual time of sale to point out any error, defect or imperfec- 
tion, but guaranty is not made either by the owner or the Association of the correctness of 
the description, genuineness, authenticity or condition of any lot and no sale will be set aside 
on account of any incorrectness, error of cataloguing or imperfection not noted or pointed 
out. Every lot is sold “as is” and without recourse. . 

Every lot is on public exhibition one or more days prior to its sale, and the Association will 
give consideration to the opinion of any trustworthy expert to the effect that any lot has been 
incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make 
mention of the opinion of such expert, who thereby will become responsible for such damag: 
as might result were his opinion without foundation. - 


9. Buying on Order. Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without 
charge or commission. Any purchases so made will be subject to the foregoing conditions of 
sale except that in the event of purchases consisting of one or more books for one who has not 
himself or through his agent been personally at the exhibition or sale, any book may be re- 
turned within ten days of the date of sale and the purchaser will be refunded the purchase 
money therefor, if the book in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and given with such plainness as 
to leave no room for misunderstanding. Not only should the lot number be given, but also the 
title, and bids should be stated to be so much for the lot, and when the lot consists of one or 
more volumes of books or objects of art, the bid per volume or piece should be also stated. If 
the one transmitting the order is unknown to the Association, a deposit should be sent or 
reference submitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale or any session thereof will be furnished by the 
Association at charges commensurate with the duties involved in copying the necessary 
information from the records of the Association. 


AMERICAN ART ASSOCIATION 
The Madison Avenue Block 
Entrance, 30 East 57th Street 
New York City 


At THE AMERICAN ART GALLERIES 


THE MADISON AVENUE BLOCK 
56TH TO 57TH STREETS 
ENTRANCE, 30 EAST 57TH STREET, NEW YORK CITY 


UNRESTRICTED PUBLIC SALE OF 
ETCHINGS, MEZZOTINTS, ENGRAVINGS 
FROM THE PORTFOLIOS OF MR. JOHN REID 
AND OTHER CONNOISSEURS 
BY. ORDER OF THOSE HEREINBEFORE DESIGNATED 


TUESDAY EVENING, MAY Ist, 1923,AT 8:15 O’CLOCK 


FRANK W. BENSON 


Contemporary American painter-etcher. Born in Salem, Mass., March 24, 1862. 


BENSON, FRANK, W. 
’ a, MALE WHISTLER. Etching. 


“ = Paff, No. &7 Signed in pencil,—Frank W. Benson. FINE IMPRESSION, in 
| 7 4 D perfect condition. Proof, marked No. 55. 
Height, 334; length, 534 inches. 


bal ss 


BENSON, FRANK W. 
2. EvENING. Etching. ? 


4 
Binal 7 2 Ew Paff, No. 103. Signed in pencil,—Frank W. Benson. VERY FINE IMPRES- 
ede SION, in perfect condition. Proof, marked No. 27. 
Height, 10; width, 8 inches. 


BENSON, FRANK, W. 

ty 3. THE ALARM. Etching. 

3 b - _ Paff, No. 111. Signed in pencil,— Frank W. Benson. FINE IMPRESSION, in 
; * perfect condition. Proof, marked No. 71. 

Height, 778; length, 10 inches. 


BENSON, FRANK W. 


ey 4. AFTER SUNSET. Etching. 
id <) Paff, No. 113. Signed in pencil,—Frank W. Benson. FINE IMPRESSION, in 
perfect condition. Proof, marked No. 26. 


Height, 6; length, 8 inches. ar 


Kindly read Conditions of Sale in forepart of Catalogue 


BENSON, FRANK W. 


5. HicH Fiyinc Ducks. Eiching. 
3) ry Paff, No. 128. Signed in pencil,—Frank W. Benson. FINE IMPRESSION, in 
2 perfect condition. Proof, marked No. 20. 
Height, 8; width, 6 inches. 


BENSON, FRANK W. 
6. THE Visitor. Eiching. 
J 7 LD Paff No. 145. Signed in pencil,—Frank W. Benson. FINE IMPRESSION, in 
’ perfect condition. Proof, marked No. 30. 
Height, 3; length, 5 inches. 


BENSON, FRANK W. 


7, Harpor. Etching. 
/ 42 Paff, No. 148. Signed in pencil,—Frank W. Benson, FINE IMPRESSION, in 
7. , perfect condition. Proof, marked No. 17. 
Height, 4; length, 57 inches. 


BENSON, FRANK W. 


8. Harpor. Etching. . 
Paff, No. 148. Signed in pencil,—Frank W. Benson, FINE IMPRESSION, in 


/ Ss oe perfect condition. Proof, marked No. 22. 
Height, 4; length, 57 inches. 


CHARLES BIRD 


Contemporary English mezzotint engraver. 


BIRD, CHARLES 


d 8a. JANE SEYMOUR. Mezzotint, printed in colors. 
/ a Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 1634; width, 1234 inches. Framed in carved antique gilt frame. 


BIRD, CHARLES 


8B. THE MILL. Mezzotint, printed in colors. 
7 a gO Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
“ Height, 1134; length, 14 inches. Framed in antique gilt frame. 


MUIRHEAD BONE 


Contemporary Scotch etcher. Born in 1876, near Glasgow; living in London. 


BONE, MUIRHEAD 
9. REPAIRING THE AULD Bric, Ayr. Drypotnt. 
ay 7 D Not in Campbell Dodgson. Signed in pencil,—Muirhead Bone. SUPERB 
IMPRESSION, on Japan paper, in perfect condition. There were 38 
impressions printed. 
Height, 774; length, 10 inches. 


Sale, Tuesday Evening, May 1st 


FELIX BRACQUEMOND 


French etcher. Born at Paris in 1833; died in 1915. 


BRACQUEMOND, FELIX 
10. THE BATHER. Etching. 
/ D cee Signed in pencil,—Bracquemond. FINE IMPRESSION, in perfect condition. 
Height, 137%; width, 10% inches. 


FRANK BRANGWYN 


Contemporary English painter-etcher. Born in London in 1867. 


BRANGWYN, FRANK 
11. A Door, CAHORE; STRAND ON THE GREEN, KEw. Eichings. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSIONS, in perfect con- 


7 ry 3 D dition. One unsigned 
Height, 614; length, 9 inches, and smaller. 
Together, 2 pieces. 


BRANGWYN, FRANK 
12. BarGes, NIEUPORT; THE MARKET SQUARE, MONTREUIL. LEfchings. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSIONS, in perfect 


/, ys we 1 condition. 


Height, 4; length, 734 inches, and smaller. 
Together, 2 pieces. 


BRANGWYN, FRANK 


13. BeGcaRs (Small Plate). Etching. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 


Z JO dition. 


Height, 734; width, 514 inches. 


BRANGWYN, FRANK 
14, CANAL, DIxMuDE. Eiching. 
/ D4 $2 Signed i in pencil,— Frank Brangwyn. BEAUTIFUL IMPRESSION, in perfect 
: condition. 
Height, 7; length, 87 inches. 


BRANGWYN, FRANK 


15. CHURCH OF SANTA CLAIRA, Taormina. Etching. 
v4 i gee Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 


dition. 
Height, 10; width, 8 inches. 


BRANGWYN, FRANK 
16. FISHMONGERS HALL. Etching. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 
dition. 


Height, 73; width, 5 inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


BRANGWYN, FRANK 


17. LoTAL, St. CrRQUE. Etching. 
Signed in pencil,—Frank Brangwyn. BEAUTIFUL IMPRESSION, in perfect 


/ ao condition. 
Height, 8; length, 10 inches. 


BRANGWYN, FRANK 


18. MARKET, FuRNES. Etching. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 


a ‘ JO dition. 


Height, 57; length, 77 inches. 


BRANGWYN, FRANK 


19. OLD STREET, ST. CIRQUE. Etching. 
Pe 3d Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 


dition. 
Height, 12; width, 8 inches. 


BRANGWYN, FRANK 


20. ON LONDON BRIDGE; SKIN SCRAPERS. Etchings. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSIONS, in perfect con- 


eM 3d dition. 


Height, 6; width, 414 inches, and smaller. 
Together, 2 pieces. 


BRANGWYN, FRANK 


21. THE RounpasBout. Litching. 
Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect condi- 


tion. 


Height, 734; width, 8)% inches. 


ld 50 


BRANGWYN, FRANK 

22. THE SwINnG; LANDSCAPE. Etchings. 

Signed in pencil,—Frank Brangwyn. FINE IMPRESSIONS, in perfect con- 
dition. 

Height, 5; length, 8 inches. 

Together, 2 pieces. 


FELIX BUHOT 


French etcher, born at Valognes, 1847; died in Paris, 1898. “The technic of 
Buhot is assuredly far from being simple. But he is free. He is not the slave of 
rules and formulas; he has not the least respect for arbitrary laws; he blends and 
mixes all the different means used for obtaining effects in black and white— 
whether by cutting into or corroding the plate. He is not the slave of any one 


implement.”—Léonce Bénédite. 


BUHOT, FELIX 
23. EN Province,—La Matson D’ORLEANS, VALOGNES. Eiching. 
Bourcard, No. 65. Signed with the red owl stamp. FINE IMPRESSION, in 


arn, 
/ re) = perfect condition. . 
Height, 524; width, 3)4 inches. 


i ak 


Sale, Tuesday Evening, May 1st 


BUHOT, FELIX 


24. FETE NATIONALE AU BOULEVARD CLiicuHy. Etching. 
Bourcard No. 127. Signed with the red stamp. SUPERB IMPRESSION, in 
Ae nay perfect condition. 
Height, 1214; width, 93 inches. 


-BUHOT, FELIX 
25. DEBARQUEMENT EN ANGLETERRE. LEiching, Aquatint and Drypoint. 


SD Bourcard, No. 130. Fifth State of five. Signed in pencil,—Fekix Buhot, 
te and with the red owl stamp. BEAUTIFUL IMPRESSION, in perfect con- 
dition. 


Height, 1178; width, 7 inches. 


BUHOT, FELIX 
26. WESTMINSTER PALACE. Etching. 
SD pee Bourcard No. 155. Signed with the red stamp. SUPERB IMPRESSION, in 
perfect condition. Very fine and rare. 
Height, 1114; width, 1514 inches. 


BUHOT, FELIX 
27. THE CLock Tower, Lonpon. Etching. 
o Bourcard No. 156. ‘Trial proof. Signed with the red stamp and in 
_ pencil,— Felix Buhot. SUPERB IMPRESSION, in perfect condition. Pre- 
sentation proof with autograph inscription, to Buhot’s friend Alidor 
Delzant. 
Height, 1114; width, 15% inches. 


BUHOT, FELIX 
28. Les Esprits DES VILLES MorteEs; LA FALAISE, BAIE DE SAINT-MALO; 
QuATRE ANONS DANS UN PRE. Etchings. 
a“ oa=- Bourcard, Nos. 160, 165, and 54. Two signed in pencil, and with the 
red owl stamp. FINE IMPRESSIONS, in perfect condition. 
Height, 1114; length, 1514 inches. 
Together, 3 pieces. 


BUHOT, FELIX 
29. LA FALAISE. BAIE DE SAINT-MALo. Etching, Aquatint and Drypoint. 
Bourcard, No. 165. Signed,—Felix Buhot. FINE IMPRESSION, in perfect 
condition. 
Height, 9; length, 1154 inches. 


= 


BUHOT, FELIX 
30. Les PETITES CHAUMIERES; UNE GRAIN TROUVILLE; L’ORAGE; LE PETIT 
ENTERREMENT. Etchings and Aquatints. 
Y ~ Two signed in pencil, and with the red owl stamp, mostly trial proofs 
bg Also a lithograph, and counter proofs of other subjects. 
Height, 11; length, 15 inches, and smaller. 
Together, 12 pieces. 


Kindly read Conditions of Sale in forepart of Catalogue 


BUHOT, FELIX 
31. Au PALAIS DES CHAMPS ELYSEES LE 20 Mars. Eiching. 
Signed on the plate,—F. Buhot. Rare early proof before the addition of — 


3 hd A rw?) letters. 


Height, 8; width, 124 inches. 


DAVID YOUNG CAMERON 


Celebrated Contemporary Scotch painter and etcher. Born at Glasgow in 1865. 


CAMERON, DAVID YOUNG 
32. Little DEVIL OF FLORENCE. Etching. 
SS Rinder, No. gor. Second State of Two. Signed in pencil,—D. Y. Cameron 
are FINE IMPRESSION, in perfect condition. 
Height, 1474; width, 856 inches. 


JOHN CONDE 
: Celebrated English Stipple engraver. 
CONDE, JOHN 
33. Mrs. FITZHERBERT. Stipple Engraving. 
After the painting by R. Cosway R. A.,—London, Published Feb. 7th, 
/ 2 5D 1792, by J. Condé, No. 63 Queen Ann Street East. BEAUTIFUL Im- 
. PRESSION, with the inscription, margins slightly stained. 
Height, 1134; width, 834 inches. Framed in gilt. 


CHARLES FRANCOIS DAUBIGNY 


French painter and etcher, born in Paris in 1817; died in Paris in 1878. 


DAUBIGNY, CHARLES FRANCOIS 
34. L’AUTOMNE, SOUVENIR DU MorvaAN; LE Bac, SOUVENIR DES ILES BEZONS. 
Etchings. 
a Dp = Henriet, Nos. 66 and 68. Signed in the plate,—Daubigny. FINE IMPRES- 
SIONS, in perfect condition. | 
Height, 454; length, 774 inches, and smaller. 
Together, 2 pieces. ; 


EDWARD J. DETMOLD 


Contemporary English etcher. 


DETMOLD, EDWARD J. 
35. THE Cock; Bison. Etchings. 
Signed in pencil,—Edward J. Detmold. FINE IMPRESSIONS, in perfect 
condition. 
Height, 1134; length, 18 inches, and smaller. 


GRIGGS, F. L. 
Tue Quay. Etching. : 
Signed in pencil,—F. L. Griggs, imp. FINE IMPRESSION, in perfect con- 
dition. 
Height, 654; length, 814 inches. 
Together, 3 pieces. 


Sale, Tuesday Evening, May 1st 


P. DUPONT 
Contemporary Dutch etcher. 
DUPONT, P. 
6. FEEDING TIME; APPLE BLossoms. Etchings. 
Pa) Signed Artist’s Proofs. FrnE IMPRESSIONS, on Japan paper, in perfect 
4 condition. 


RAFFAELLI, J. F. 
Country NEIGHBORS; CHEVAL DE PLAINE; THE FAGGOT GATHERERS; LE 
Vaccin. Eichings, 1n colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
Height, 10%; length, 1314 inches. 
Together, 6 pieces. 


S. ARLENT EDWARDS 


Modern Mezzotint engraver. 


EDWARDS, S. ARLENT 


36A. SISTER CATHERINE. Mezzotint, printed in colors. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
oe 2 3D - Height, 1454; width, 1156 inches. Framed in hand carved and ornamented 
; gold frame. 


HEDLEY FITTON 


Contemporary English etcher, born in 1859, whose architectural plates show 
great decorative power. His works have increased rapidly in value. 


PoeaON HEDLEY 


. 37. ADVOCATES CLOSE, EDINBURGH. Eiching. 
YU - Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition 
Height, 1738; width, 10% inches. 


FITTON, HEDLEY 


38. HEVER CASTLE. Etching. 
we atl Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1334; width, 8% inches. 


FITTON, HEDLEY 


39. JOHN KNox’s House. Liching. 
} 39 -_ Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1578; width, 155 inches. 


FITTON, HEDLEY 
_ 40. JuLieT’s House, VERONA. Etching. 


F Ss ~ Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 


Height, 1414; width, 9% inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


FITTON, HEDLEY 
a w- 41. NoRMAN TOWER, SOUTHAMPTON. Etching. 
] Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1614; width, 12% inches. 


FITTON, HEDLEY 


, 47 — 42. Rostyn CHAPEL. Etching. 
Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1678; width, 114 inches. 


FITTON, HEDLEY 
6 D -— 43. RUE BaRBETTE, Paris. Etching. 
Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 14; width, 734 inches. | 


FITTON, HEDLEY 


UD - 44. RuE St. Merri. Eiching. 
Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1634; width, 105 inches. 


FITTON, HEDLEY 
if D @ 45. St. ANDREW’s CasTLE. Etching. 
Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1144; width, 11 inches. 


FITTON, HEDLEY 
be Db - 46. THE MONUMENT. Fiching. 
Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1358; width, 9 inches. 


FITTON, HEDLEY 


lf S—s 47. Es. itching. 
Signed in pencil,— Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1214; width, 8% inches. 


iy) FITTON, HEDLEY 
S - 48. HILAtrRE. Fiching. 
Signed in pencil,—Hedley Fitton. FINE IMPRESSION, in perfect condition. 
Height, 1334; width, 83 inches. 


CHARLES STORM VAN’S GRAVESANDE 


Celebrated Dutch etcher, born at Bredar in 1841. 


GRAVESANDE, CHARLES STORM VAN’S 
49. BLOEMENDALL; ZANDROORT BEACH; CANAL PRES RYNSBURG; AFTER THE 
oh 2 5d Storm. Etchings. 
° Signed in pencil,—Ch. Storm Van’s Gravesande. FINE IMPRESSIONS, in 
perfect condition. 
Height, 8; length, 13 inches, and smaller. 
Together, 4 pieces. 


Sale, Tuesday Evening, May 1st 


VALENTINE GREEN 


Celebrated English mezzotint engraver, born at Hales-Owen, Birmingham; died 
in London, 1813. 


GREEN, VALENTINE 


50. Maria Cosway. Mezzotint. 
J.C. Smith, No. 29. Painted by Maria Cosway,—Engraved by V. Green, 
BS —Published by V. & R. Green, Newman Street, Oxford Street, London, 
ca Sept. 1st, 1787. FINE IMPRESSION, with inscription. Margins trimmed 
inside plate-mark. 
Height, 1614; width, 13 inches. Framed in gilt. Full H. L., in square 
border, sitting directed to left, facing and looking to front, large head- 
dress, cross hung by black ribbon from neck, arms folded. 


GREEN, VALENTINE 


51. Marie IsaBELLA, DucHEss OF RUTLAND. Mezzotint. 

J. C. Smith, No. 115. Second State. Painted by Sir Joshua Reynolds,— 
Engraved by V. Green,—Published July 1st, 1780, by Val. Green, 
No. 29 Newman St. Fine ImpREssIoNn, with inscription. Margins 

ha 2 ~ trimmed to engraved surface at top and sides and inside publication 
line at bottom. 

Height, 2334; width, 1534 inches. Framed in gilt. W. L. standing, directed 
towards front, facing and looking towards right, high headdress with 
feathers, muslin kerchief crossed on bosom, girdle, end held by left 
hand, right hand hanging beside her, left elbow with mantle over 
leaning on pedestal to right, wooded landscape in background. 


ELIZABETH GULLAND 


Contemporary English mezzotint engraver. 


GULLAND, ELIZABETH 
51A. NAPOLEON. Mezzotint, printed in colors. | 
4 2 40 Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
. Height, 1014; width, 838 inches. Framed in hand carved gold frame. 


GULLAND, ELIZABETH 
51B. Mrs. BoswELL. Mezzotint, printed in colors. 
SS - Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 1614; width, 12 inches. Framed in hand carved gold frame. 


GULLAND, ELIZABETH 
51C. CHILD WITH A BUNCH OF GRAPES. Mezzotint. 
be- Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 1114; width, 914 inches. Framed in carved gold frame. 


Kindly read Conditions of Sale in forepart of Catalogue 


SIR FRANCIS SEYMOUR HADEN 


Born in London, September 16, 1818; died 1910. Founder and President of the 
Royal Society of Painter-Etchers. “An artist of rare endowment and consum- 
mate skill. He is a master of foliage, he has drawn trees magnificently, both as to 
wood and leaves; there is no better stem or branch drawing than his in all 
contemporary art.”—P. G. HAMERTON. 


HADEN, SIR FRANCIS SEYMOUR 
52. KENSINGTON GARDENS (The Small Plate). Ezching. 
bb -~ Harrington, No. 12. Third State of three. Signed in pencil,—Seymour 
Haden. Good impression, in perfect condition. 
Height, 614; width, 434 inches. 


HADEN, SIR FRANCIS SEYMOUR 


53. Hotty FIELD. Eiching. 
/, on cre Y hs Harrington, No. 33. Signed in pencil,—Seymour Haden. Good i impression, 


in perfect condition. 
Height, 21; length, 5 inches. 


HADEN, SIR FRANCIS SEYMOUR 


54 THE HERD; THE KEEP. Etching and Drypoint. 
} ws P JO - Harrington, Nos. 125 and 165. One signed in pencil,—Seymour Haden. 
Good impressions, in perfect condition. 
Height, 6; length, 9 inches. One framed. 
Together, 2 pieces. 


HADEN, SIR FRANCIS SEYMOUR 


} ) cy, = 55. A SALMON RIVER. Etching and Mezzotint. 
° Harrington, No. 226. Signed in pencil,—Seymour Haden. FINE IMPRES- 


SION, in perfect condition. 
Height, 45; length, 614 inches. 


HADEN, SIR FRANCIS SEYMOUR 


¥¢ Ba 56. A SALMON RIvER. Etching and Mezzotint. 
Harrington, No. 226. Signed in pencil,—Seymour Haden. FINE tispess 


SION, in perfect condition. 
Height, 458; length, 634 inches. 


ALBANY E. HOWARTH 


Contemporary English etcher. “A clever etcher who is pushing to the front, is 
Albany E. Howarth.”—MALCOLM SALAMON. 


HOWARTH, ALBANY E. 
57. BAMBOROUGH CASTLE, No. 2. Etching. 
7 SO — Signed in pencil, — Albany E. Howarth. FINE IMPRESSION, in perfect con- 
dition 
Height, 7 7%; length, 1014 inches. 


~~ —-_ _—_ =. w 


Sale, Tuesday Evening, May 1st 


HOWARTH, ALBANY E. 
58. BLuE Mosgug, Cairo. Etching. 
/ D- — in pencil,—Albany E. Howarth. FINE IMPRESSION, in perfect con- 
ition. 
Height, 13; width, 914 inches. 


HOWARTH, ALBANY E. 
59. Corre CASTLE, No. 2. Liching. 
} Be 5D “ Shen in pencil,—Albany E. Howarth. FINE IMPRESSION, in perfect con- 
, ition. 
Height, 834; length, 1114 inches. 


HOWARTH, ALBANY E. 
60. GourocK. Etching. 
/ db- Signed in pencil,—Albany E. Howarth. FINE IMPRESSION, in perfect con- 
dition. 
Height, 534; length, 834 inches, 


HOWARTH, ALBANY E. 


61. LA Cour D’ALBANE, ROUEN. Etching. 
/ “ene Signed in pencil,—Albany E. Howarth. FINE IMPRESSION, in perfect 
condition. 
Height, 17; width, 11)4 inches. 


HOWARTH, ALBANY E. 


62. La GROSSE HORLOGE, ROUEN. Fiching. 
/ ot SDe Signed in pencil,—Albany E. Howarth. FINE IMPRESSION, in perfect 
2 condition. 
Height, 145; width, 734 inches. 


E. JOWETT 


Contemporary English mezzotint engraver. 


JOWETT, E. 


62A. COUNTESS GROSVENOR. Mezzotint, printed in colors. 
“ Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Z bo Height, 1214; width, 1034 inches. Framed in ornamented gold frame. 


JAMES S. KING 


Contemporary English mezzotint engraver. 


KING, JAMES S&S. 
62B. LUCRETIA TOURNABUONI. Mezzotint, printed in colors. 
pe Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
/d -_ Height, 1114; width, 714 inches. Framed in hand carved gold frame. 


Kindly read Conditions of Sale in forepart of Catalogue , 


KING, JAMES S. 


62c. MADONNA. Mezzotint, printed in colors. 
/ of sd Signed Artist’s Proof. FINE IMPRESSION, in perfect condition. 
; Height, 1214; width, 10% inches. Framed in hand carved gold frame. 


WILLIAM LEE-HANKEY 


Contemporary English etcher. 


LEE-HANKEY, WILLIAM 
63. THE BEGGAR. Drypoint. 
22 ~~ Hardie, No. 76. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. Edition limited to 25 proofs. 
Height, 634; width, 5 inches. 


LEE-HANKEY, WILLIAM 
/ S — 94. THE Sprvnine WHEEL. Drypoint. 
Hardie, No. 105. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. Edition limited to 25 proofs. 
Height, 578; width, 37% inches. 


LEE-HANKEY, WILLIAM 
G }, 4 2 —~65. Mrippay MEAL. Drypozint. 
Hardie, No. 145. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. Edition limited to too proofs. 
Height, 77%; length, 87% inches. 


LEE-HANKEY, WILLIAM 
/ v2 SO - 66. EventnG. Drypoint. 
Hardie, No. 158. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. Edition limited to 100 proofs. 
Height, 9; length, 10 inches. 


4 LEE-HANKEY, WILLIAM 
d — 67. ANNETTE. Drypoint. 
Hardie, No. 163. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. Edition limited to 100 proofs. 
Height, 578; width, 434 inches. 


LEE-HANKEY, WILLIAM 
/ 2 $D - 68. Tue Marker. Drypoint. 
: Hardie, No. 164. Published State. Signed in pencil—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. Edition limited to 100 proofs. 
Height, 10; width, 8 inches. . 


LEE-HANKEY, WILLIAM 
69. MARIE OF THE FIELDS. Drypoint. 
/ 2 507 Hardie, No. 168. Published State. Signed in pencil,—W. Lee-Hankey. 
: FINE IMPRESSION, in perfect condition. Edition limited to 100 proofs. 
Height, 8; width, 5 inches. 


——* 


Sale, Tuesday Evening, May 1st 


LEE-HANKEY, WILLIAM 
70. THE SECRET. Drypoint. 
27, bY - Hardie, No. 171. Published State. Signed in pencil,—W. Lee-Hankey. 
: FINE IMPRESSION, in perfect condition. Edition linnted to 100 proofs. 
Height, 6; width, 4 inches. 


LEE-HANKEY, WILLIAM 
3? Sd- 71. LA MEcCHANTE. Drypozint. 
: Hardie, No. 179. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. 
Height, 107%; width, 874 inches. 


LEE-HANKEY, WILLIAM 


/ him 72: THE CLOAK. Drypozint. 
Hardie, No. 180. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. 
Height, 1078; width, 87% inches. 


LEE-HANKEY, WILLIAM 


m4 2,30 773 PERE Dacuicourt. Drypoint. 
¢ 


Hardie, No. 185. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. 
Height, 5; width, 37% inches. 


LEE-HANKEY, WILLIAM | 
Ys = 74. MINDING THE FLocks. Drypoznt. 
Hardie, No. 187. Published State. Signed in pencil,—W. Lee-Hankey. 
FINE IMPRESSION, in perfect condition. 
Height, 1374; width, 1154 inches. 


ALPHONSE LEGROS 


Celebrated French painter and etcher. Born at Dijon, 1837; died, 1911. 


LEGROS, ALPHONSE 
RD 75. Les FaIsEuRS DE Facots. Etching. 
Malassis Supplement, No. 182. Signed in pencil,—A. Legros. FINE 
PROOF OF THE RARE FIrsT STATE, on French paper, in perfect condition. 
Height, 15; width, 107 inches. 


~. LEGROS, ALPHONSE 
/ g~ 76, LAITIERE A BOULOGNE (Second Plate); Les Runes pu CHATEAu. Etchings. 
Malassis Supplement, Nos. 215 and 512. Signed in pencil,—A. Legros. 
FINE IMPRESSIONS, in perfect condition. 
Height, 514; length, 914 inches, and smaller. 
Together, 2 pieces. 


Kindly read Conditions of Sale in forepart of Catalogue 


LEGROS, ALPHONSE 


77. LA FERME DU COTEAU; UNE ANCIENNE AUBERGE. Etchings. 
bS = Malassis Supplement, Nos. 222 and 452. Signed in pencil,—A. Legros 
FINE IMPRESSIONS, in perfect condition. 
Height, 474; length, 87 inches. 
Together, 2 pieces. 


LEGROS, ALPHONSE 


78. CHAILLI, STORM Errect; LE Petir BROLEUR D’HERBE; TouR NORMANDE. 
j S - Etchings. 
Malassis Supplement Nos. 535, 592, and 619. Signed Artist’s Proofs. 
FINE IMPRESSIONS, in perfect condition. 
Height, 414; length, 7 inches, and smaller. 
Together, 3 pieces. 


LEGROS, ALPHONSE 


79. LES CHANTRES ESPAGNOLS AU LUTRIN. Eiching. 
/ d— Soulier No. 59. Very rare and undescribed intermediate state between 
the third and fourth states. Signed on the plate,—A. Legros. SUPERB 
IMPRESSION, in perfect condition. 
Height, 1014; width, 14% inches. 


LEGROS, ALPHONSE 
80. LE FAISEUR DE Facots. Fiching. 
Soulier No. 182. Rare proof on French laid paper. Slight mended tear 
in lower margin. 


ne Height, 15; width, 11 inches. 


LEGROS, ALPHONSE 


81. TETE DE VIEILLARD. Etching. 
Soulier No. 185. Third state. Brilliant impression. 
ETUDE DE TETE. Lithograph 
Impression on china paper. 
PORTRAIT OF GAMBETTA 
Impression on Holland paper. Together, 3 pieces. 


LEGROS, ALPHONSE 
82. PORTRAIT OF SIR FREDERIC ene Etching. 
Soulier No. 201. Only state. Signed in ink,—A. Legros. Beautiful im- 
pression in perfect condition. 
Height, 1514; width, 10 inches. 


LEGROS, ALPHONSE 
83. VILLAGE ABANDONNE. Etching. 


) Soulier No. 347. Second state. Signed in pencil,—Legros. Brilliant im- 
/ ‘eo pression, in perfect condition. : 
Height, 4; width, 8 inches. 


Sale, Tuesday Evening, May 1st 


LEGROS, ALPHONSE 


84. LA FERME DU BIENHEUREUX. Etching. 
3 — Souler No. 361. Fourth state. Signed in pencil,—Legros. Beautiful 
impression in perfect condition. 


Height, 44%; width, 734 inches. 


LEGROS, ALPHONSE 
85. PAYSAGE. Etching. 
7 oO— Soulier No. 462. Second state. Signed in pencil,—A. Legros. Fine im- 
pression in perfect condition. 
Height, 514; width, 9 inches. 


LEGROS, ALPHONSE 
86. LE Pont pu Moutin. LEiching. 
eet Soulier No. 480. Fourth state of five. Signed in pencil,—A. Legros. 


Beautiful impression in perfect condition. 
Height, 5; width, 6 inches. 


LEGROS, ALPHONSE 
87. PORTRAIT OF LONGFELLOW. Lithograph. 
re ‘ie Soulier No. 496. Only state. Signed in pencil,—A. Legros. Beautiful 
impression in perfect condition. 
Height, 1114; width, 9 inches. 


LEGROS, ALPHONSE 
88. L’INCENDIE. Etching. 
a Signed on the plate,—A. Legros. 
ie? La CHARETTE. LFiching. 
Signed on the plates,—A. L. 
PaysAGE. Etching. 
Signed on the plate,—A. Legros. 
Together, 3 pieces. 


LEGROS, ALPHONSE 


89. LE BapTEME. Ltching. 
Soulier No. 65. Proof before letters. 
Jt — Cuarity. Etching. 
Signed on the plate,—A. Legros. 
PAYSANNES DES ENVIRONS DE BOULOGNE. Etching. 
_Soulier No. 80. Signed on the plate,—A. Legros. 
Together, 3 pieces. 


LEGROS, ALPHONSE 


90. Portrait oF DaLou. Eiching. 
Soulier No. 41. Signed on the plate,—A. Legros. 
f re Portrait oF Watts. Etching. 
Beautiful impression on Japan paper. 
ExTASE PoETIQUE. Eiching. 
Signed on the plate, A. Legros sculp. 
Together, 3 pieces. 


Kindly read Conditions of Sale in forepart of Catalogue 


LEGROS, ALPHONSE 


SD gt. T&TE DU VIEILLARD. Etching. 
, Signed in pencil,—A. Legros. Fine impression. 


LEGROS, ALPHONSE 
92. LE REFECTOIRE. Etching. 
Soulier No. 55. Signed on the plate, Legros sculpt. 
5S. & Le Mantce. Hiching. 
Signed on the plate,—A. Legros sculpt. 
LEs PESTIFERES DE RoME. Etching. — 
Soulier No. 60. Signed on the plate,—A. Legros. 
Together, 3 pieces. 


LEGROS, ALPHONSE 


93. HEAD TURNED TO THE LEFT. Etching. 
o. ~ Signed in pencil,—A. Legros. Fine impression. 


AUGUSTE LEPERE 


Celebrated French etcher and wood engraver. Born in Paris in November 
30th, 1849; died at Damme on November 2oth, 1918. 


LEPERE, AUGUSTE 
Bo 94. SUR LA SEINE, LA Nuit. Etching and Aquatint. 
/ an Lotz-Brissonneau, No. 6. Sixth State of six. Signed in pencil,—A. Lepere 
—19—Tirage 30. FINE IMPRESSION, on Dutch paper, in perfect condition, 
Height, 958; length, 1214 inches. 


LEPERE, AUGUSTE 
by af ge eI GRAND MarcHE AUX PomMEs. Efching. 
_ Lotz-Brissonneau No. 35. Signed in pencil,—A. Lepére. Beautiful im- 
pression, number 136 of 150 printed 
Height, 11; length, 20 inches. 


LEPERE, AUGUSTE i 
—~ 96. COLLOQUE SENTIMENTAL. Etching. 
S at Lotz-Brissonneau No. ro7. First state. Signed in ink, “A. Lepére rer 
- Etat, 6 ep.” Beautiful impression, one of 6 proofs. RARE. | 
- Height, 1134; width, 8% inches. 


ERE, AUGUSTE 


eo : 97. LE Pont AU B&GUINAGE A BRUGES. Etching. | 
2? Signed in pencil,—A. Lepere, ro /20. FINE IMPRESSION, on Japan paper, 
5d in perfect condition. There were only 20 impressions in this state. 


Height, 5; length, 534 inches. 


LEPERE, AUGUSTE 
98. SOUVENIR St. DENIS. Eiching. 
Signed in pencil,—A. Lepere, 33 /50. Good impression, on French paper, 
in perfect condition. 
Height, 6; width, 434 inches. 


Se eae Se are. 


Sale, Tuesday Evening, May 1st 


RE, AUGUSTE 

99. Les ARBRES TorbDus. Liching. 

Not in Lotz-Brissonneau. Signed in pencil,—A. Lepére. Beautiful im- 
pression, No. 46 of 50 printed. 

Height, 7; length, 1134 inches. 


LEPERE, AUGUSTE 
100. ROUTE DELA Houssave. Ltching. 

Not in Lotz-Brissonneau. Signed in pencil, A. Lepére, H. T. 4/5. Beau- 
tiful early impression in perfect condition. No. 4 of 5 printed in this 
state. 
eight, 714; length, 10/4 inches. 


ERNEST LUMSDEN 


Contemporary English etcher. 


LUMSDEN, ERNEST 
101. DEAN BRIDGE, EDINBURGH. Eiching. 
/ "2 Nao Signed in pencil,—Ernest Lumsden, imp. FINE IMPRESSION, in perfect 


condition. 
Height, 834; width, 6 inches. 


BEJOT, EUGENE 
LE CHATEAU DU VIVIERES. Etching. 
/ 7 SD = Signed in pencil,—Eug. Bejot. FINE IMPRESSION, in perfect condition. 
. Height, 7; length, 814 inches. 
Together, 2 pieces. 


DONALD SHAW MACLAUGHLAN 


Contemporary American etcher. Born in Canada, 1876. 


MACLAUGHLAN, DONALD SHAW 
102. SUMMER MoRNING. Etching. 
Signed in pencil,—D. Shaw MacLaughlan. FINE IMPRESSION, on Japan 
M4 JD paper, in perfect condition. 
Height, 734; length, 1234 inches. 


EDOUARD MANET 


MANET, EDOUARD 
103. GARCON ET CHIEN. Liching. 
Moreau-Nélaton No. 10. Second state. Signed on the plate,—Ed. M. 
/ a—_— FINE IMPRESSION, in perfect condition. . 
Height, 8; width, 524 inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


MANET, EDOUARD 
/0 104. MARIANO CAMPBRUBI. Liching. 


Moreau-Nélaton No. 31. Only state. Signed on the plate—Ed. Manet. 
Brilliant impression in perfect condition. 
Height, 10; width, 634 inches, 


ANET, EDOUARD 
105. OLYMPIA. Etching. 


Moreau-Nélaton No. BS Third state. 
condition. RARE. 


Height, 514; length, 734 inches. 


Beautiful impression, in perfect 


MANET, EDOUARD 


106. ROUVIERE DANS LE ROLE D’HAMLET. Etching. 
Moreau-Nélaton No. 38. Only state. Signed on the 
FINE IMPRESSION, in perfect condition. 
Height, 12; width, 6% inches. 


plate,— Manet. 


MANET, EDOUARD 
107. JEANNE. Liching. 


Moreau-Nélaton No. 47. Second state. 
Brilliant impression. 


Height, 614; width, 414 inches. 


Signed on the plate,—Manet. 


JOSEPH PHILIP LIBERATI MARCHI 


Celebrated English, mezzotint engraver. Born in Rome, 1735; died in London, 
1808. 


MARCHI, JOSEPH PHILIP LIBERATI 
108. OLIVER GOLDsMITH. Mezzotint. 
J.C. Smith, No. 7. Sir Joshua Reynolds, pinxt.,—R. Sayer, excudit,— 
Jos. Marchi, fecit,—London, Printed for R. Sayer No. 53 Fleet St, 
vi JS oan Published as the Act directs, Ist, Decr. 1770. FINE IMPRESSION, with 
inscription, and small margins. 
Height, 157%; width, 13 inches. Framed in gilt. H. L., directed, facing, 
and looking towards left, throat bare, furedged cloak, right hand to 
breast, holding book, fore- finger between leaves. 


FRED MILLER 
Modern American mezzotint engraver. 
MILLER, FRED 
108A. GIOVANNI D’ALBizz1. Mezzotint, printed in colors. 


Signed Artist’s Proof. BEAUTIFUL IMPREsSION, in perfect condition. 
y b- Height, 1614; width, 1034 inches. Framed in carved antique gilt frame. 


eee 


Sale, Tuesday Evening, May 1st 


JAMES McBEY 


Celebrated contemporary Scotch etcher. 


McBEY, JAMES 


109. ALCANTARA BRIDGE, TOLEDO. Eiching. 
£ be Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 
y Proof, marked XIII. 
Height, 534; length, 83 inches. 


McBEY, JAMES 
110. AviLa. LHiéching. 


A S- Signed in ink,—James McBey. FINE ImpREssION, in perfect condition. 


Proof, marked XIV. 
Height, 7; length, 107 inches. 


McBEY, JAMES 
111. BENICARLO. LEiéching. 
4S Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 
cr Proof, marked XI. 
Height, 5; length, 8% inches. 


McBEY, JAMES 
112. Benicasim. LEitching. 
Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 
/ 0- Proof, marked XIX. 
Height, 57; length, 836 inches. 


McBEY, JAMES 


113. BOATBUILDING AT VINAROZ. Etching. 
Fs) Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 
is Proof, marked XXX. 
Height, 414; length, 874 inches. 


McBEY, JAMES 


114. Burcos. Fiching. 
Signed in ink,—James McBey. FINE IMPRESSION, 1n perfect condition. 


6s ss Proof, marked VII. RARE. 
Height, 7; length, 1078 inches. 


McBEY, JAMES 


115. CARPENTER OF HEspIN. Drypownt. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, in perfect condi- 


3 o a tion. Proof, marked Azo. 
Height, 774; length, 117 inches. 


McBEY, JAMES 
116. CowGATE, EpinBpurGH. Eiching. 
Signed in ink,—James McBey. Good impression, in perfect condition. 
é 0- Proof, marked XIX. 
Height, 8; width 5 inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


McBEY, JAMES 


5 Re 117. COWGATE, EDINBURGH. FEiching. 
as Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 


Proof, marked XXIII. 
Height, 8; width, 5 inches. 


McBEY, JAMES 


ij S$ — 118. Enxuursen Harsour. Etching. 
Signed in ink,—James McBey. FINE ImpREsSION, in perfect condition. 


Proof, marked XX VIII. 
Height, 614; length, 8 inches. 


McBEY, JAMES 


cy 6D 119. James McBey In His Srupio. Etching. , 
: Signed in ink,—James McBey. VERY FINE IMPREsSION, on French paper, 


in perfect condition. Proof, marked XXIV. 
Height, 634; length, 11 inches. 


McBEY, JAMES 


120. MONNICKENDAM. Etching. 
i i. ra.) Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 


Proof, marked XXIII. 
Height, 534; length, 934 inches. 


McBEY, JAMES 
121. NortH BRIDGE, EDINBURGH. Ltching. 
Yo ~ Signed in pencil,—James McBey. Fine IMpREssIoN, in perfect condition. 


Height, 438; length, 77% inches. 


McBEY, JAMES 


ry es? «122. OVATION TO THE Matapor. Drypoint. 
Signed in ink,—James McBey. FINE IMpREssION, in perfect condition. 


Proof, marked XX. 
Height, 1014; width, 67% inches. 


McBEY, JAMES 


rf / § — 123. Picapor Unuorsep. Drypoint. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, in perfect con- 


dition. Proof, marked XVI. 
Height, 634; length, 934 inches. 


McBEY, JAMES 


Se “i 124. Ras Et Ain. Eiching. 
= a Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 


perfect condition. Proof, marked A4. 
Height, 774; length, 1276 inches. 


Sale, Tuesday Evening, May 1st 


McBEY, JAMES 
125. SPRING, 1917. EHiching and Drypoint. 
be te Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
in perfect condition. Proof, marked A106. 
Height, 834; length, 1314 inches. 


McBEY, JAMES 
126. THANET FROM RICHBOROUGH. Drypoint. 
6 f: Se Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 
Proof, marked XX. 
Height, 534; length, 1138 inches. 


McBEY, JAMES 
; 127. THE SKYLARK. Fiching. 
+ 2 Signed in ink,—James McBey. FINE IMPRESSION, in perfect condition. 
; / D— Proof, marked XXXII. 
* Height, 636; length, 117 inches. 


McBEY, JAMES 

128. VINAROZ. Etching. 
e Signed in ink,—James McBey. Good impression, in perfect condition. 
A 4 Y - Proof, marked XJ. 
' Height, 374; length, 8 inches. 


x CHARLES F. W. MIELATZ 


a Modern American etcher. 


f _ MIELATZ, CHARLES F. W. 

129. THE SPAR YARD, NEw York City; OLD TRINITY, STATEN ISLAND, N. Y.; 
CHURCH IN FLAMES, MOooRESFIELD, R. I.; MORNING CONANICUT 

; IsLAND. EHiéchings. 

a va 2D = Signed Artist’s Proofs. Fine Impressions, in perfect condition. 

Height, 954; length, 1334 inches, and smaller. 

Together, 4 pieces. 


if 

; 

a TOM MAXWELL 

% Contemporary English etcher. 

4 AXWELL, TOM 

is 130. BRoOoMIELAW, GLAsGow. Etching. 

2? Signed in pencil,—Tom Maxwell. FINE IMPRESSION, in perfect condition. 


Height, 10; width, 674 inches. ; 


MAXWELL, TOM 
131. Distant View oF GLASGOW; DryBurGH. Etching and Drypoznt. 
Signed in pencil,—Tom Maxwell. FINE ImMpREssIONS, in perfect condition. 
Height, 6; length, 10 inches, and smaller. 
Together, 2 pieces. 


PS SRR LSA a 


Kindly read Conditions of Sale in forepart of Catalogue 


MALCOLM OSBORNE 


Contemporary English etcher. 


ORNE, MALCOLM 
132. FROM THE NATIONAL GALLERY. Drypoint. 
Signed in pencil,—Malcolm Osborne. FINE IMPRESSION, in perfect con- 
dition. 
Height, 1478; width, 9 inches. 


S$ - 
a OSBORNE, MALCOLM 
133. Noon, WAREHAM; Macaig. Etchings. 
Signed in pencil, —NMalcolm Osborne. FINE IMPRESSIONS, in perfect con- 
dition. 
Height, 534; length, 84 inches, and smaller. 
Together, 2 pieces. 


OSBORNE, MALCOLM 
134. ST. MARTINS IN THE FIELDS. Drypoint. 
Signed in pencil,—Malcolm Osborne. FINE IMPRESSION, in perfect con- 
dition. 
Height, 1044; width, 8% inches. 


OSBORNE, MALCOLM 


135. ST. STEPHENS, WALBROOK; DISTANT VIEW FROM BATTLEMENTS. Lichings 
Signed in pencil, —Malcolm Osborne. FINE IMPRESSIONS, in perfect 
condition. 
Height, 57; length, 13 inches, and smaller. 
Together, 2 pieces. 


[AS 


OSBORNE, MALCOLM 
136. THE Haystack. Drypoint. 
Signed in pencil,—Malcolm Osborne. FINE IMPRESSION, in perfect con- 
dition. . 
Height, 1014; width, 834 inches. 


RODIN, AUGUSTE 


137. LE PRINTEMPS. Drypoint. 
Delteil No. 4. Only state. Special proof on Japan paper with extra wide 
Y, so = margins. VERY FINE IMPRESSION. 
i Height, 534; width, 4 inches. 


FRANK SHORT 


Contemporary English etcher and mezzotinter. Born at London in 1857. 


SHORT, FRANK 


138. DINNER TIME ON BOARD THE “MARIE.” Etching. 
_ Signed in pencil,—Frank Short. FINE IMpREssION, in perfect condition. 
/ 2 ,00? Height, 7; length, 10 inches. 


Sale, Tuesday Evening, May 1st 


SHORT, FRANK 
139. SHAPFELL. Aquatint. 


£G a Sm Signed in pencil,—Frank Short. FINE IMPRESSION, in perfect condition. 
. Height, 414; length, 1234 inches. 

SHORT, FRANK 

ie 140. SICKLE Moon. Aquatint. 

4 250-7 Signed in pencil,— Frank Short. FINE IMPRESSION, in perfect condition. 
2 ° Height, 1014; length, 1614 inches. 

re 


SHORT, FRANK 


141. SILVERY TIDE. Aquatint. 
Signed in pencil,—Frank Short. FINE IMPRESSION, in perfect condition. 


a2 2S Height, 6; length, 9 inches. 


SHORT, FRANK 

> 142. THE BREAKING UP OF THE “GREAT EASTERN.” Etching. 

a / o) Rw) Signed in pencil,—Frank Short. FINE IMPRESSION, in perfect condition. 
: , Height, 6; length, 8 inches. 


a SHORT, FRANK 
7 y: 143. TWICKENHAM. Aquatint. 
% / 2, JSDe- Signed in pencil,—Frank Short. BEAUTIFUL IMPRESSION, in perfect con- 
q dition. 
Height, 814; length, 113 inches. 


SHORT, FRANK 


e y) D144 Dawn. Aquatint. 
- /* Signed in pencil,—Frank Short. FINE IMPRESSION, in perfect condition 


Height, 634; length, 14 inches. 


LEONARD R. SQUIRRELL 


Contemporary English etcher. 


IRRELL, LEONARD R. 


145. A Country RoaD; THE OLD STONE BRIDGE. Fichings. 
Signed in pencil,—Leonard R. Squirrell. FINE IMPRESSIONS, in perfect 


condition. 
Height, 934; length, 1234 inches, and smaller. 
Together, 2 pieces. 


SQUIRRELL, LEONARD R. 
146. THE Hut; Roap on IkEN HEatH; THE WOODEN BripcE. Lichings. 
Signed in pencil,—Leonard R. Squirrell. FINE IMPRESSIONS, in perfect 
condition. 
Height, 614; length, 834 inches, and smaller. 
Together, 3 pieces. 


Kindly read Conditions of Sale in forepart of Catalogue 


ADRIAEN VAN OSTADE 


Dutch painter and etcher. Born at Haarlem in 1610; died there in 1685. 
Studied with Frans Hals and was influenced by Rembrandt. 


VAN OSTADE, ADRIAEN 
147. Les HARANGEURS. Etching. 3 
Bartsch, No. 19. Signed in the plate,—A. V. Ostade, fecit et excud. FINE 
iG, een OLD IMPRESSION, in perfect condition. 
Height, 858; width, 714 inches. 


From the Henry Broadhurst collection. 


WILLIAM WALCOT 


Contemporary English etcher. 


WALCOT, WILLIAM 
148. BABYLON. Etching. 
Signed in pencil,—W. Walcot. FINE IMPRESSION, in perfect condition. 


/ ) 30 Height, 834; length, 1134 inches. 


WILLIAM WALKER 


{Contemporary English etcher. 


WALKER, WILLIAM 


149. NEwARK CASTLE. Etching. 
S — Signed in pencil,—Wm. Walker. FINE IMPRESSION, in perfect condition. 
Height, 778; length, 113% inches. 


WEIR, J. ALDEN 
150. LITTLE GIRL STANDING. Fiching. 


} 2 ro Fine impression on Holland paper. Etchings by Weir are very scarce. 
. Height, 434; width, 334 inches. 


JOHN COTHER WEBB 


Contemporary English Mezzotint engraver. 


WEBB, JOHN COTHER 


150A. LorD TITCHFIELD. Mezzotint, printed in colors. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
/ } - Height, 1678; width, 1314 inches. Framed in hand carved gold frame. 


Sale, Tuesday Evening, May 1st 


JAMES ABBOTT McNEILL WHISTLER 


Celebrated American painter and etcher. Born in Lowell, Mass., in 1834, died 
in London in 1903. “All his work is alike—perfect. It has only been produced 
under different circumstances and is an attempt to render different effects or 
situations. Therefore the methods vary, but the results are always the same— 
es great. The greatest, most perfect, as a whole, that any etcher has ever accom- 
ae plished.” ——-JOSEPH PENNELL. 


= WHISTLER, JAMES ABBOTT McNEILL 
% 151. LANDSCAPE WITH Horse. Efching. 


‘4 Kennedy No. 36. Second state. Signed on the plate, Whistler 1859. 
4 Z oY} SO Beautiful impression on Japan paper. 
a ' Height, 5; length, 8 inches. 


One of the few landscape etchings Whistler ever made. 


WHISTLER, JAMES ABBOTT McNEILL 
152. VENUS. Etching. 
_ Kennedy No. 59. Second state. Signed on the plate, Whistler 1559. Fine 
o | i, Oo impression. SCARCE. 
‘ Height, 6; length, 87% inches. 


WHISTLER, JAMES ABBOTT McNEILL 
53. RIAULT, THE ENGRAVER. Drypovnt. 

Kennedy No. 65. Signed on the plate, Whistler 1859. Very rare proof 
from the destroyed plate. This plate was destroyed by Whistler before 
he had printed the full edition, at the time of his bankruptcy, in order 
that the coppers might not pass into the hands of his creditors. 

Height, 9; width, 6 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
154. PORTRAIT OF SWINBURNE. Drypoint. 
_ Kennedy No. 136. Very rare proof from the destroyed plate. This plate 
was destroyed by Whistler before he had printed the full edition, at 
the time of his bankruptcy, in order that the coppers might not pass into 
the hands of his creditors. 

Height, 1014; width, 7% inches. 


AMES ABBOTT McNEILL 
f: 155. Henry IRVING As PuiLip. Drypoint. , 

Kennedy No. 171. Very rare proof from the destroyed plate. This plate 
Py was destroyed by Whistler before he had printed the full edition, at 
ae the time of his bankruptcy, in order that the coppers might not pass 


into the hands of his creditors. 
Height, 834; width, 6 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
156. OLD PUTNEY BRIDGE. Etching. 
Kennedy No. 178. Signed on the plate with the Buiterfly. Beautiful 
impression, trimmed to the plate mark on upper margin, large margin 
cee on other three sides. RARE. 
Height, 778; length, 1136 inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


WHISTLER, JAMES ABBOTT McNEILL 
157. LOBSTER Pots. Etching. 
Kennedy No. 235. First state. Printed by Whistler and signed by him 
FD ares in pencil with the Butterfly. One of the Second Venice Set; 30 proofs 
only and the plates destroyed. SUPERB IMPRESSION, in perfect condi- 
tion. 
Height, 5; length, 8 inches. 


From the Tracy Dows Collection. 


WHISTLER, JAMES ABBOTT McNEILL 


158. ALDERNY STREET. Etching. 
¥ 67 Kennedy No. 238. Fine impression. Signed on the plate with the Butterfly. 
Height, 634; width, 4 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
159. FRUITSHOP, CHELSEA. Etching. 
x Kennedy No. 259. First state. Signed on the plate and in pencil with 
2.5 _ the Butterfly. Beautiful and very rare impression. 
Height, 3; length, 4 inches. 


From the Frederick Wedmore collection. The etchings of the late London series 
are very scarce. 


WHISTLER, JAMES ABBOTT McNEILL 


160. GAIETY STAGE Door; THE BRoTHERS. Lithographs. 
Way, Nos. 10 and or. No. to signed in pencil with the Butterfly, and the other 
y 7 50 - signed on the stone. FINE IMPRESSIONS, in perfect condition. No. 91 
= has pencil dedication,—“To F. Goulding, R. Birnie Philips.” 
Height, 8; width, 5% inches, and smaller. 
Together, 2 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 
161. READING; LA ROBE RouGE. Lithographs. 
Way, Nos. 13 and 68. Signed on the stones, with the Butterfly. FINE 
AY: 50 IMPRESSIONS, in perfect condition. 
: Height, 738; width, 6 inches, and smaller. 
Together, 2 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 


162. THE TyRESMITH. Lithograph. 
O $0 Kennedy No. 27. Only state. Signed on the stone with the Butterfly. 
¢ Height, 8; width, 7% inches. 


WHISTLER, JAMES ABBOTT McNEILL 


163. MAUNDER’S FIsH-sHOP, CHELSEA. Lithograph. 
Way, No. 28. Signed on the stone, with the Butterfly. Good impression, 
7 ee slightly stained, and mounted. 
Height, 714; width, 634 inches. 


Sale, Tuesday Evening, May 1st 


STLER, JAMES ABBOTT McNEILL 
164. MAUNDER’S FisH-SHop. Lithograph. 
Kennedy No. 28. Only state. Signed on the stone with the Butterjly. 
FINE IMPRESSION, On woven paper. 
Height, 8; width, 734 inches. | 


WHISTLER, JAMES ABBOTT McNEILL 
165. Les BoNNEs DU LuxEemBourG. Lithograph. 
Kennedy No. 48. Only state. Signed on the stone with the Butterfly. 
FINE IMPRESSION. 
Height, 10; width, 714 inches. 


; HISTLER, JAMES ABBOTT McNEILL 
i f 166. THE LonG GALLERY OF THE Louvre. Lithograph. 
; Kennedy No. 52. Only state. Signed on the stone with the Butterfly. 
Height, 9; width, 7 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
167. LA RoBE RouGE. Lithograph. 
Kennedy No. 68. Only state.. Signed on the stone with the Butterfly. 
FINE ImpREsSION, on Holland paper. 
Height, 8; width, 614 inches. 


_ WHISTLER, JAMES ABBOTT McNEILL 
A 168. THE Doctor; THE STRONG ArM; Lapy Haven. Lithographs. 
3 Way, Nos. 78, 89, and 143. Signed on the stones, with the Butterfly. 
3 4 sv a FINE IMPRESSIONS, in good condition, one mounted. 
i Height, 1174; width, 734 inches, and smaller. 
a Together, 3 pieces. 


ISTLER, JAMES ABBOTT McNEILL 


169. THE Doctor. Lithograph. 
Kennedy No. 78. Only state. Beautiful impression. 


is 
_ JWHISTLER, JAMES ABBOTT McNEILL 
170. LittLE Evetyn. Lithograph. 
Kennedy No. 110. Only state. Signed on the stone with the Butterfly. 
Beautiful impression on Holland paper. 
Height, 8; width, 614 inches. 


ISTLER, JAMES ABBOTT McNEILL 


171. Savoy Picrons. Lithograph. 
Kennedy No. 118. Only state. Signed on the stone with the Butterfly. 


Height, 814; width, 6% inches. 


WHISTLER, JAMES ABBOTT McNEILL 


172. THE SHOEMAKER. Lithograph. 

Kennedy No. 151. Only state. Signed on the stone with the Butterfly. 
Rare proof on China paper. 

Height, 8; length, 10/4 inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


WHISTLER, JAMES ABBOTT McNEILL 
173. THE Mepici Cotiar. Lithograph. 


Kennedy No. 153. Only state. Signed on the stone with the Butterfly. 
4S Ve Rare proof on China paper. : 
Height, 714; width, 5 inches. 


HENRY WOLF 


Celebrated American wood engraver. 


F, HENRY 


174. A Lapy IN BLAcK; UNE PARISIENNE. Wood Engravings. 
After F. W, Freer, and Jeanniot. Signed Artist’s Proofs. Fine IMpREs- 
SIONS, in perfect condition. : 
Height, 8; width, 434 inches. 
Together, 2 pieces. 


WOLF, HENRY 


175. A Patrician; A Quiet Hour. Wood Engravings. 

After Orrin Peck and John W. Alexander. Signed Artist’s Proofs. FINE 
IMPRESSIONS, in perfect condition. 

Height, 9; width, 4 inches, and smaller. 

Together, 2 pieces. 


WOLF, HENRY 


176. A SUNSET IN NorMANDY; LANDscaPE. Wood Engravings. 
After Henry Golden Dearth and H. W. Ranger. Signed Artist’s Proofs. 
w ge FINE IMPRESSIONS, in perfect condition. 
Height, 5; length, 678 inches. 
Together, 2 pieces. 


WOLF, HENRY 


177. BOY WITH THE SworD. Wood engraving. 

After the painting by Manet. Signed in pencil,—Henry Wolf. FINE 
IMPRESSION, in perfect condition. 

Height, 878; width, 634 inches. 


Re, 


OLF, HENRY 
178. CyntTHIA. Wood Engraving. 
After Cecilia Beaux. Signed Artist’s Proof. FINE IMpREssION, in perfect 


condition. 
Height, 738; width, 534 inches. 


7,30 


WOLF, HENRY 


179. Kitty FIsHER. Wood Engraving. 
After Reynolds. Signed Artist’s Proof. FINE IMPRESSION, in perfect 
condition. . 
Height, 634; width, 5 inches. 


Sale, Tuesday Evening, May 1st 


WOLF, HENRY 
180. Miss ALEXANDER. Wood Engraving. 
After Whistler. Signed Artist’s Proof. FINE ImpREssION, in perfect 


condition. 
Height, 1034; width, 534 inches. 


WOLF, HENRY 
181. “OEDIPE,” BONAPARTE BEFORE THE SPHINX; “1814” CAMPAGNE DE FRANCE. 


Wood Engravings. 
After Jean Louis Gerome and Meissonnier. Signed Artist’s Proofs. FINE 


IMPRESSIONS, in perfect condition. 
Height, 5; length, 714 inches. 
Together, 2 pieces. 


WOLF, HENRY 
182. ON THE RoapD TO BETHLEHEM; Hoty Eve. Wood Engravings. 
After Fritz von Uhade. Signed Artist’s Proofs. FINE IMPRESSIONS, in 
perfect condition. 
Height, 414; length, 524 inches. 
Together, 2 pieces. 


_\ WOLF, HENRY 
183. R&VERIE. Wood Engraving. 
After Cecilia Beaux. Signed Artist’s Proof. FINE IMPRESSION, in perfect 


condition. 
Height, 634; width, 534 inches. 


VOLF, HENRY 
184. Str Henry IRvING; PROFESSOR EMERSON. Wood Engravings. 
Professor Emerson, after Franz von Lenbach. Signed Artist’s Proofs, 
FINE IMPRESSIONS, in perfect condition. 
Height, 7; width, 5 inches. 
Together, 2 pieces. 


WOLF, HENRY 
185. St. Yves; ALONE IN THE WorLD. Wood Engravings. 
After Rendall and Israels. Signed Artist’s Proofs. FINE IMPRESSIONS, in 
perfect condition. 
Height, 5; length, 734 inches, and smaller. 
Together, 2 pieces. 


| WOLF, HENRY 

186. THE Duck Ponp. Wood Engraving. 

Signed in pencil,—Henry Wolf, invt., delt., and sculpt. FINE IMPRESSION, 
in perfect condition. 

Height, 734; length, 10 inches. 


Kindly read Conditions of Sale in forepart of Catalogue 


LF, HENRY 


I 87. THE EVENING STAR. Wood Engraving. 
Signed in pencil,—Henry Wolf, inv., & sculpt. FINE IMPRESSION, in per- 


fect condition. 
Height, 478; length, 736 inches. 


WOLF, HENRY 


188. THE MorninG Star. Wood Engraving. 
Signed in pencil,—Henry Wolf, invt., delt., & Sculpt. Fine IMPRESSION, 


in perfect condition. 
Height, 6; length, 8 inches. 


(OLF, HENRY 


189. THE ROADSIDE. Wood Engraving. 
After R. Swain Gifford. Signed Artist’s Proof. FINE IMPRESSION, in per- 


fect condition. 
Height, 6; length, 10 inches. 


WOLF, HENRY 
190, THE SHIPWRECKED SAILOR; UN Cana EN Artois. Wood Engravings. 
After Howard Pyle and Jean Charles Cazin. Signed Artist’s Proofs. 
FINE IMPRESSIONS, in perfect condition. 
Height, 6; length, 834 inches, and smaller. 
Together, 2 pieces. 


WOLF, HENRY 
191. WHISTLER’S MOTHER. Wood Engraving. 
After Whistler. Signed Artist’s Proof. Fine ImMpREssIon, in perfect con- 
dition. 
Height, 8; length, 9 inches. 


ANDERS ZORN 


Swedish painter and etcher of note. Born at Moa in Dalecarlia, in 1860. 


ZORN, ANDERS 


192. MADAM SIMON. FEiéching. 
Asplund No. 67. Fourth state. Signed on the plate,—Zorn. FINE IMPREs- 


PS) o— sION, on Holland paper. 
Height, 93; width, 6% inches. 


ZORN, ANDERS 


193. PORTRAIT OF VERLAINE. Liching. 
Asplund No. 94. Third state. Signed on the plate,—Zorn. Fine im- 


25 — pression on Holland paper. 
Height, 938; width, 63 inches. 


ZORN, ANDERS 
194. GROVER CLEVELAND (Second Plate). Etching. 
Asplund, No. 144. Fourth State of four. Signed in pencil,—Zorn. FINE 


ia IMPRESSION, on Dutch paper, in perfect condition. 
| Height, 834; length, 67 inches. 


Sale, Tuesday Evening, May 1st 


ZORN, ANDERS 
195. DANSEA Gopsmor. Liching. 
a 2 a ‘Asplund, No. 197. Second State of two. Signed in pencil,—Zorn. FINE 
4 pasa IMPRESSION, on Dutch paper, in perfect condition. 
Z Height, 1134; width, 734 inches. 


ZORN, ANDERS 
196. THE NEw Matp. Etching. 
/ %, Asplund No. 227. Sixth state. Signed in pencil,—Zorn. Beautiful 
D- impression. RARE. 
Height, 1134; width, 734 inches. 


7 


ZORN, ANDERS 
| 197. PORTRAIT OF STRINDBERG. Liching. 
e “eo Asplund No. 231. Second state. Signed in pencil—Zorn. Beautiful 
a Brad impression in perfect condition. 
ZZ Height, 1114; width, 734 inches. 


ZORN, ANDERS 

. 198. SEAWARD SKERRIES. Lfching. 

a 3 A se Asplund No. 256. Only state. Signed in pencil,—Zorn. Beautiful im- 
ws pression. RARE. 

Height, 7; length, 934 inches. 


- ZORN, ANDERS 

199. THE Swan. Etching. 

4 i. D Asplund No. 269. Third state. Signed in pencil,—Zorn. BEAUTIFUL 
oe iy IMPRESSION, in perfect condition. 

. Height, 934; width, 714 inches. 


__ZORN, ANDERS 

a 200. SELF PORTRAIT IN A FuR Coat. Eféching. 

190 — Asplund No. 270. Third state. Signed in pencil,—Zorn. VERY FINE 
is IMPRESSION, in perfect condition. 

rp Height, 7; width, 434 inches. 


~ZORN, ANDERS 
201. THE Two. Eiching. 


i ‘s Asplund, No. 274. Second State of two. Signed in pencil,—Zorn. FINE 
et IMPRESSION, on Dutch paper, in perfect condition. 
a Height, 774; width, 57 inches. 


_ 
‘ey 


_ ZORN, ANDERS 

202. THE CABIN. Efching. 

(Ss Asplund, No. 279. Third State of three. Signed in pencil,—Zorn. FINE 
ge IMPRESSION, on Dutch paper, in perfect condition. 

Height, 11548; width, 734 inches. 


a THE AMERICAN ART ASSOCIATION, 
ae MANAGERS. 
_ THOMAS E. KIRBY, 

z AUCTIONEER. 


INTELLIGENT APPRAISALS 


FOR 


UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 
AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. Together with the increase in its 
exhibition and sales rooms, the American Art Association will expand its 
service of furnishing appraisements, under expert direction, of art and literary 
property, jewelry and all personal effects, in the settlement of estates, for in- 
heritance tax, insurance and other purposes. It is prepared also to supplement 
this work by making catalogues of the contents of homes or of entire estates, 
such catalogues to be modelled after the finely and intelligently produced 
catalogues of the Association’s own Sales. 


The Association will furnish at request the names of many Trust and Insur- 
ance Companies, Executors, Administrators, Trustees, Attorneys and private 
individuals for whom the Association has made appraisements which have not 
only been entirely satisfactory to them, but have been accepted by the United 
States Revenue Department, State Comptroller and others in interest. 


THE AMERICAN ART ASSOCIATION 
AT ITS NEW 


AMERICAN ART GALLERIES 
THE BLOCK OF MADISON AVENUE, 56rx to 57TH STREET 


ENTRANCE, jo EAST 57TH STREET 
NEW YORK CITY 


1923 3 May 1 Ne NeAmR | ees 


American /Etchings, Mezzotints,e ee. < 
87-P 16457 


32125 onlez oe fare 


iy 


“ETCHINGS—MEZZOTINTS—ED 


BY MODERN MASTERS _ 
FROM THE PORTFOLIOS OF 
MR. JOHN REID AND OTHER CONNO! 


se, 


56TH TO 57TH STREETS _ 
ENTRANCE, 30 EAST 57TH 8 TREET ‘ Aah “f 


NEW YORK CITY 
19 23 car, 


ee 


